艺术家就是努力将日常的生活以奇异的角度来阐述似乎是对的.随时随地都要克制去吃快餐的欲望……

07

May

布鲁塞尔少女

布鲁塞尔少女

26

March

wanna

wanna

12

March

蛇年行大运!

蛇年行大运!

15

February

my work at RAW CHINA EXPO 2013 during the ART ROTTERDAM period

08

February

1 note

今天figure out 2件事:

1.我这辈子大概就是在追梦,追求蓬莱仙境,追求虚无缥缈的东西;

2.时常容易用力过猛

以及,虽然我很爱Jung先生,但是自传真的最近不能读。100%的认同感,把童年的好多事都又回想了起来,自我精神分析,危险得很。

07

January

06

January

1 note

06

January

06

January

05

January

30

December

30

December

Screen shot of my new work..still developing it

Screen shot of my new work..still developing it

30

December

"

“When someone tells you that you can’t do something, perhaps you should consider that they are only telling you what they can’t do.”

~Sheldon Cahoon~

"

16

December

http://rhizome.org/editorial/2011/jan/12/the-postmedia-perspective/

http://rhizome.org/editorial/2012/dec/6/whats-really-specific-about-new-media-art-curating/

“new media art niche”, but that would be better described as an art world in its own right, with its own institutions, professionals, discussion platforms, audience, and economic model, and its own idea of what art is and should be

“the three behaviours of interactivity, connectivity and computability”

 “New media could never be understood from a strictly art-historical perspective: the history of technology and media sciences plays an equally important role in this art’s formation and reception. New media art requires media literacy.” (Paul 2008: 5).

Paul responds to this situation by painting a picture of a curator as less a caretaker of objects and more a mediator, interpreter or producer

that technology ultimately prevents new media art from being understood by the contemporary art audience.

It should be about bringing new media art to the art audience in a way that enables it to be accepted as art, and also obliges people to reconsider their preconceptions about what can be accepted as art. With or without technologies.

15

December